War on Freedom

Commentary: V for Vendetta shows how crises are exploited to destroy liberty!

on . Posted in War on Freedom

By Daniel Buck

April 13, 2019 - If The Road to Serfdom is the defining polemic on how a totalitarian regime develops, V for Vendetta is its comic-book movie counterpart. It tells the story of a masked revolutionary fighting a tyrannical government.

Underneath its bloody theatrics and winsome hero, the movie tells the story of how totalitarian regimes form amidst formerly free and functional republics. In the movie, government officials manufacture a biological weapon and foment conflict to justify a swift power grab in the supposed best interest of the people. Throughout the movie, a theory of government undergirds the regime’s actions with the State seen as the best option for ameliorating any wrongs.

In the opening scenes of V for Vendetta, the vigilante places explosives and destroys a prominent building in the London Metro area. After the blast, the High Chancellor convenes a meeting of high ranking government officials. He concocts a lie to disseminate to the populace, hoping to placate their fears and maintain their trust.

The media must make the explosion seem like a deliberate act of the government and, concurrently, warn the population about the risks of “clinging to the edifice of a decadent past”.

According to The Road to Serfdom, the descent into tyranny occurs as individuals surrender their rights over time, often apathetically, and the government metastasizes accordingly; eventually, a corrupt individual assumes the head of a bloated government and can reign with absolute power.

Conversely, in V for Vendetta, it’s an immediate release. In the dystopian world, government agents and corrupted doctors work to manufacture an epidemic to create a crisis in their country. Seized by fear, no one questions when the terrorist pig thug cops implement curfews, individuals disappear in the night, and every source of media comes under the control of the authorities.

Like Britain in the movie, the Fascist Police States of Amerika today faces numerous challenges. Politicians recommend government as the solution to our crises: a single-payer system guarantees health care to all, proper regulations can guarantee clean water and air, and only (more) regulations can curb gun violence. In each case, in the face of every crisis, it is the government’s responsibility - not individuals or institutions - to correct every wrong.

It is not a biological weapon used to justify mass centralization but various issues portrayed to elicit fear.

Politicians like Alexandria Ocasio-Cortez warn that climate change will end the world. The media describe a “gun violence epidemic” that requires bold political actions - despite the steady decline of gun violence. If these facts were true, if the world faced an apocalyptic tsunami in 12 years, it might be reasonable to retrofit every building in the FPSA for green energy. If gun violence truly was an epidemic, perhaps, to some, it would justify repealing the Second Amendment, as some are advocating.

Amerika, to its credit, has seen too many countries crumble into tyranny and its institutions remain too strong for it to descend the road to serfdom on such flimsy evidence, as the Britain of V for Vendetta did. Instead, should it happen, the road will likely follow one that C.S. Lewis describes as “the gradual one - the gentle slope, soft underfoot, without sudden turnings, without milestones, without signposts.”

At first glance, the average viewer may consider the relationships between the resistance and FPSA President Donald Trump to be the most accurate analog to V for Vendetta. To an extent, this analysis is valid; Trump’s populist tints and distaste for immigration mirror the rhetoric of the film’s antagonist, High Chancellor Adam Sutler. However, the film’s vigilante hero is an avid anarchist and it is from this often overlooked detail that the film’s true comparison can be drawn.

Though one can find personal similarities between Trump and Sutler, it is the centralizing tendencies of the Left and their philosophy of government - not Trump and his populism - that offer the better parallel.

We see in V for Vendetta that the reigning officials have little regard for any historical institutions that may have brought the country to prosperity, even insinuating that they are inherently immoral. This mirrors the Left’s current distaste for Western society. Statues of former leaders are removed and defiled.

Christopher Columbus is subjected to a yearly vituperation on the day that carries his name. The canon of Western literature is slandered as racist and removed from school curricula. The individuals and culture that created Amerika’s exceptionalism are no longer ideals to be venerated but oppressive systems to be deconstructed. The church, charitable systems, and free enterprise are viewed not as solutions to society’s ills but the cause.

Each of the similarities mentioned - crisis, the government as protector, and the denigration of private institutions - brings out a theory of government and society endemic to the Amerikan Left. From any issue, the government is set forth as the means to solve it. From jobs to schools to health care to the environment, only regulations and in some cases direct control - not innovation and personal choice - offer the means to address our challenges.

In The Road to Serfdom, Friedrich Hayek cautions that an ever centralizing government can only lead to tyranny. V for Vendetta, then, stands as a cogent warning against this tendency. In a speech to the populace, the protagonist of V for Vendetta says that “fairness, justice, and freedom are more than words; they are perspectives.”

In contrast to the authorities in V for Vendetta, the populace and our officials need three things to counter the three elements of what could be called this “centralizing perspective”: an accurate judgment of the issues; an understanding that the best course of action is likely not through government intervention; and finally, seeking solutions in the individuals and institutions that have served the nation.

The solution is not a reactionary action but a broad rejection of the “centralizing perspective” that threatens to bring Amerika closer to the dystopian world of V for Vendetta.

Daniel Buck is an educator in an urban school in Wisconsin with a master's degree in Curriculum and Instruction from the University of Wisconsin, Madison, and an editor for the website Lone Conservative.

Eulogies

Eulogy for an Angel
1992-Dec. 20, 2005

Freedom
2003-2018

Freedom sm

My Father
1918-2010

brents dad

Dr. Stan Dale
1929-2007

stan dale

A. Solzhenitsyn
1918-2008

solzhenitsyn

Patrick McGoohan
1928-2009

mcgoohan

Joseph A. Stack
1956-2010

Bill Walsh
1931-2007

Walter Cronkite
1916-2009

Eustace Mullins
1923-2010

Paul Harvey
1918-2009

Don Harkins
1963-2009

Joan Veon
1949-2010

David Nolan
1943-2010

Derry Brownfield
1932-2011

Leroy Schweitzer
1938-2011

Vaclav Havel
1936-2011

Andrew Breitbart
1969-2012

Dick Clark
1929-2012

Bob Chapman
1935-2012

Ray Bradbury
1920-2012

Tommy Cryer
1949-2012

Andy Griffith
1926-2012

Phyllis Diller
1917-2012

Larry Dever
1926-2012

Brian J. Chapman
1975-2012

Annette Funnicello
1942-2012

Margaret Thatcher
1925-2012

Richie Havens
1941-2013

Jack McLamb
1944-2014

James Traficant
1941-2014

jim traficant

Dr. Stan Monteith
1929-2014

stan montieth

Leonard Nimoy
1931-2015

Leonard Nimoy

Stan Solomon
1944-2015

Stan Solomon

B. B. King
1926-2015

BB King

Irwin Schiff
1928-2015

Irwin Schiff

DAVID BOWIE
1947-2016

David Bowie

Muhammad Ali
1942-2016

Muhammed Ali

GENE WILDER
1933-2016

gene wilder

phyllis schlafly
1924-2016

phylis schafly

John Glenn
1921-2016

John Glenn

Charles Weisman
1954-2016

Charles Weisman

Carrie Fisher
1956-2016

Carrie Fisher

Debbie Reynolds
1932-2016

Debbie Reynolds

Roger Moore
1917-2017

Roger Moore

Adam West
1928-2017

Adam West

JERRY LEWIS
1926-2017

jerry lewis

HUGH HEFNER
1926-2017

Hugh Hefner

PROF. STEPHEN HAWKING
1942-2018

Hugh Hefner 

ART BELL
1945-2018

Art Bell

DWIGHT CLARK
1947-2018

dwight clark

CARL MILLER
1952-2017

Carl Miller

HARLAN ELLISON
1934-2018

Harlan Ellison

STAN LEE
1922-2018

stan lee